Act Guide 2019 Season 2 Hamlet review
Hamlet (Okada Masaki) & Ophelia (Kuroki Haru), photo by Hosono Shinji Act Guide 2019 Summer Theatre Reviews: Hamlet Review by Ichikawa Aki Translated by Icha In the olden days, I used to think that I knew nothing of the agony of youth euphoria. However, as years go by, I found myself entangled in the bottomless magnetic force of this drama. “Hamlet” as described by the British director Simon Godwin was fast yet clear at the same time. The details were trimmed and compacted into a three hours’ performance, but it was not merely a digested version that just chased after the plots. Fully decorated words were repeatedly conveyed with such a heated passion, perhaps because the cast truly lived their roles to the fullest. With clear dialogues, Okada Masaki’s Hamlet was a philosophical young man with a bitter sense of humour. Although he occasionally had the bright antics, he was actually looking down into an abyss of nothingness. The bandages on his wrists, the belt ...